In installation gradually gathered in the studio. Containing, in order of display, a found glass of cherry liquer, a mantlepiece painted with a title card frame used in many Fatty Arbuckle films, the now empty glass, sprigs of lavander, drawings from cigarette cards of Louise Brooks & Norma Talmadge in pencil and charcoal, a pencil drawing from a headshot of Buster Keaton, Letters of nonsense text given to me by Hannah Whyte, printed images of a set from the film One Week 1920